The art soldier and the Institutional Critique
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We see grainy photographs of high-rise rooftops, baggage carousels, office space, plus a room with a battered garbage cans, various videos showing the artist, as she herself suggests in the head, a bike smashed, slowly falling from the bathroom, on a U- train ride performs a wild dance and stripped there raises the floor.
A certain smell of meaning and urban air spreads out in the gallery. In this report an absent presence to the art academics tried bourgeois clothes that rebellious urbanity here a deliberate site-specificity in addition to location, a Repositioning of things follow, etc. etc.. Through its network of relationships and implications. In the center is a self-referential transmission have become canonical positions in art history are in urban presence.
So be self-referential, the whole thing again now do not blaspheme Kandinsky between. The urban art urban art teachers take their students in the Metropolitan State forceps and crush them. See Through its academic coming academic Racehorses not get out. Eat greens daily 50 pounds from the city park lawn, but see only what we set before them. Academy is a failed blind obedience crimes in city traffic. Herumglotzerei on the street they call authentic debate. Before the metropolitan erections offerings and pension legitimate art Pharaohs can only warn.
me, it's pretty no matter what Kandinsky as babbling, think if all that I was his unqualified. In fact, I have not the slightest idea what he was getting at. Chaotic and unpredictable as he is. I found my player and played around a bit with it.
He wrote pieces on a loose referentiality addition, more babbling of academics. Mediated works to be removed from their original urban context and transferred to a new discursive context. In a reciprocal influence of respective cap-and update strategies that very reason alone must be considered authentic. Variations made their contingency productive. To ask to stay, in which urban spaces. I mean, which arise from urban shifts.
The urban asshole in the Academy teaches the urban asshole outside the academy about the fact that contemporary art is the fulfillment of the full urban ideals, babbling on Kandinsky. Most
worth it for long years to build as many stock for as many art objects, I quassel, and troubled. It was so unexpected that my mouth opened, and suddenly something brought forward, which I probably should believe themselves too. This should in no way be a habit. It 's only observable to an endless justification story that has embarrassed helpless because they can not find the term stupid mistake can.
Once we have enough gequasselt and drunk all the empty glasses, Kandinsky and I leave the opening. On the road, we jump on parked limousines, beating in the subway a couple of random passengers together with their dogs, and then disappear in the street name from afar bawling:
... EVEN WITH ALL OUR
TATTOOS ... ALL OUR CHEAP THRILLS ... THERES STILL A HOLE INSIDE OF U.S. ... THAT MAY NOT EVER GET FILLED ...
A certain smell of meaning and urban air spreads out in the gallery. In this report an absent presence to the art academics tried bourgeois clothes that rebellious urbanity here a deliberate site-specificity in addition to location, a Repositioning of things follow, etc. etc.. Through its network of relationships and implications. In the center is a self-referential transmission have become canonical positions in art history are in urban presence.
So be self-referential, the whole thing again now do not blaspheme Kandinsky between. The urban art urban art teachers take their students in the Metropolitan State forceps and crush them. See Through its academic coming academic Racehorses not get out. Eat greens daily 50 pounds from the city park lawn, but see only what we set before them. Academy is a failed blind obedience crimes in city traffic. Herumglotzerei on the street they call authentic debate. Before the metropolitan erections offerings and pension legitimate art Pharaohs can only warn.
me, it's pretty no matter what Kandinsky as babbling, think if all that I was his unqualified. In fact, I have not the slightest idea what he was getting at. Chaotic and unpredictable as he is. I found my player and played around a bit with it.
He wrote pieces on a loose referentiality addition, more babbling of academics. Mediated works to be removed from their original urban context and transferred to a new discursive context. In a reciprocal influence of respective cap-and update strategies that very reason alone must be considered authentic. Variations made their contingency productive. To ask to stay, in which urban spaces. I mean, which arise from urban shifts.
The urban asshole in the Academy teaches the urban asshole outside the academy about the fact that contemporary art is the fulfillment of the full urban ideals, babbling on Kandinsky. Most
worth it for long years to build as many stock for as many art objects, I quassel, and troubled. It was so unexpected that my mouth opened, and suddenly something brought forward, which I probably should believe themselves too. This should in no way be a habit. It 's only observable to an endless justification story that has embarrassed helpless because they can not find the term stupid mistake can.
Once we have enough gequasselt and drunk all the empty glasses, Kandinsky and I leave the opening. On the road, we jump on parked limousines, beating in the subway a couple of random passengers together with their dogs, and then disappear in the street name from afar bawling:
... EVEN WITH ALL OUR
TATTOOS ... ALL OUR CHEAP THRILLS ... THERES STILL A HOLE INSIDE OF U.S. ... THAT MAY NOT EVER GET FILLED ...
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