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Sir Francis Drake, Japanese cruisers and Vampire

a mixed bag on my lectern

The Great Expedition , Sir Francis Drake on the English Main, 1585-86. (Blurb) In 1585, the English launched a pre-emptive strike against Spain, by attacking her New World colonies. Led by Sir Francis Drake, in command of 21 ships and 1,800 soldiers, the expedition struck first at the Canary Islands, then attacked the city of Santo Domingo and the treasure port of Cartagena. Frequently outnumbered, Drake’s soldiers won an series of spectacular victories and, laden with treasure, sailed home to a hero’s welcome.

Imperial Japanese Navy Heavy Cruisers 1941-45 . (Klappentext) Designed with little more than a passing nod to the international naval treaties of the inter-war period, the Imperial Japanese Navy’s heavy cruisers were fast and heavily armed. Like the other vessels of the Japanese Navy, the heavy cruisers were technologically superior to and far more innovative than their Allied rivals, whom they met in many of the major Pacific theater battles, including Midway and Leyte Gulf. Mark silence continues his study of the IJN of WWII with this fascinating topic, addressing the design and development of all 18 ships in the six heavy cruiser classes, from pre-war construction and mid-war alterations, to their operational histories and eventual fates.

The vampire belief in Southeastern Europe - a study of folk belief . Basic studies on the origins, meaning and function of the vampire belief in Romania and the Balkans, published, Peter Mario Kreuter in his book.
early initiation Volume 9 of the book from the Berlin writings to the Roman culture and literature entitled "The vampire belief in Southeastern Europe" promises new to the original so popular today, especially in the Roman hero literature. For the historian and Peter Mario Kreuter Balkanologe clear that most of the Western literature on the subject of rumination in the same secondary literature from England, France, Germany and the United States exhausted. The material, however, the anthropologists and ethnographers in the source region have gathered as a vampire called revenant, will, according to the author, "ignored with great aplomb.

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The Aesthetics of a paranormal credibility figure

D ell'Arte della Guerra.


Afghanistan


would be possible, but it relates to the pure aesthetic feeling not really. A belligerent Minister launches a war technologically best when the War is far away and you do not talk about him. German soldiers shoot somewhere at the other end of the world around with their service weapons and take most of himself. But that is aesthetically as disappointing as a North Frisian Safari. State funeral and talking with the minister on RTL Kerner enjoy a successful desert show. For Nahweltbedarf a serious aesthetic development work that is simply too far away.

The well-meaning intention to pursue the morally good everywhere as the highest purpose, says Schiller-Earth, have been much in the arts Average generated and taken into custody, it also caused considerable damage in the theory. To instruct the arts a high rank, recognition and credibility - contemporary: Authenticity - to purchase, sells, they are out of their actual area. They were to do a great service by pushing them under frivolous instead of a moral purpose.

The frivolous purpose


a small or large fraud, or, where appropriate, the serious crimes. Is the art of contrast, only morally loose, it is that by which it alone is powerful, their freedom, and that by which it is effective, the stimulus of pleasure. The game turns into a serious business. Yet it is precisely the game, so they could perform the business best. Art is the art of making good business, says Warhol Venus.

was pure entertainment business it this way, says Schiller-Earth again, the success of the Evil far more cheerful than the failure of the noble ones, because a) the vice itself, and b) the rewards include a vice Zweckwidrigkeit. Moreover, we know that the superior man is sent far more to reward themselves as the successful evil, to punish themselves. For example, to acquire a gentleman who is ready by choice, prefer to remain a no man than by an inconspicuous fraud a PhD. What would his performance makes the subject of such a boring presentation?

contrast, the evil


of house and externally actually quite elegant in appearance to the stake with a fake doctorate degree bound, ready by choice, prefer to give up the title as a truly No one will be fine. What might this idea into an object of such excellent fun? What can ever convince more aesthetically uncompromising as the clear consequence of the fraud to punish yourself, without letting it connect to a questionable morals gang in obscurity?

end


it is for Schiller Earth a matter of education. The big pile, as it will blind the intended aesthetic effect without looking through the technique of the generated credibility with which this effect is exerted on it. For a certain class of connoisseurs, however loses the intended effect of faith, so that aesthetic taste is convincing only by the sophistication of the technique used.

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GeschiMag - Archaeology & History - the magazine

From the editorial services is a history magazine become

2009 is my editorial services blog for archaeological and cultural-historical themes went into the net, with offers reporting for print radio and online media, as themes and article supplier for editors and as an information portal for the public. added to this objective and the corresponding offers not changed. Nevertheless, it was now time to of the sum of unstructured content and the now quite numerous articles, which are spread through various media and platforms in the form of GeschiMag - Archaeology and history - the magazine a structured whole, just to make an online history magazine.
The following is a brief presentation of current topics:

The American steam navigation of the 19 century is closely associated with the federal consolidation of the U.S.. These include the conquest of the "Wild West" and the formation of the Canadian-American border as well as the American Civil War. And last but not least is the American Steamship 19th Century in many ways a very exciting chapter in the economic, technological and military history. The
here presented selection of reviews and articles pointing to the complexity of the topic, which will be expanded to other facets and contributions.

into foreign worlds. Whether the discovery of the South Seas or the exploration of Siberia, especially the 18 And 19th centuries were marked by spectacular expeditions, whose diaries developed to protect sellers. In the articles on the subject of strange worlds here and travel, regions and issues are considered, which are not always the focus of today's publications.

Historic Ships may be relatively young, as the German nuclear ship Otto Hahn, or as old as the reconstruction of an Athenian trireme. The examples show how far the field of historic ships has been created. Finally, the topic includes not only a period of a few thousand years, but also a spectrum that ranges from underwater archeology, archaeological and experimental reconstructions to the worldwide fleet of museum ships. Critical for the launching of the article in "Historical Ships from AZ" is that it is tangible individual ships.

Forensic Archaeology. Archaeology has actually almost always a forensic nature, it is still basically in excavation and investigation of artifacts therefore, to secure evidence to reconstruct the relationships and events as precisely as possible, identities, relationships, causes of death - find - for example, in grave finds. And last but not least the broad field of chronology, to determine fact or event time of the events at the site as accurate as possible. Ultimately, you could also simply from archaeological clues and scientific analysis - which in the course of forensic and forensic methods use - talk. That sounds far less exciting than the suspense terms "forensic" or "forensic science".
The following contributions on mummies, Amazons, boats or horse show, however, that the term "forensic" is probably less because of the - must seek power - the issues inherent in any case. The term forensic promises particularly more attention to the seemingly dry archeology.

exhibitions. It is common today to spread primarily news and nothing, they say, is as old as the news of yesterday. Often enough, this also applies to exhibitions: they are over, they get incredibly media quickly forgotten - unjustly, I believe, and how this site shows.
here I have deliberately self Exhibition Reviews from 2009 listed, because the events, the exhibits are long gone in various archives and magazines hold, not only exciting news suggestions. Some exhibitions tours for years by the Republic and many have left valuable companion volumes, which are often expected to remain for many years standard literature on the respective exhibition themes.
How to find a list of the said exhibition tips both from the past as well - constantly updated - for the future, combined with reports accompanying exhibition reviews and the odd link.

mythology and history . Often there are identities of nations that rely on more or less ancient mythologies. Cultural myths and mythologies in historical perspective have first to do something once with the declaration of the structures, conventions and power relations of specific societies, cultures and the surrounding natural and political world. Myths therefore not some lifted from ignorance and fear out fantasy stories are developed. Myths explain the world, politics and power justify to wars, oppression and social exclusion. They are therefore ideologies - sometimes supporting the state religions, sometimes as a revolutionary philosophies.
In this context arises the first sight certainly unexpected are the contributions of this page. Since it is of course also about mythical creatures - for example, dragons. It covers but also religious and ideological manifestos - for example, the Bible. And finally, we find this also involves the very real, archaeologically documented historical background of mythological constructs, as the example of Babylon and the gods "shows.

I wish all the users and readers and to become a user (follow me or subscribe to just the posts) have fun browsing and reading.

your Wolfgang Schwerdt

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The most perfect work of art ever

The most perfect work of art of all time is what?


The Crucifixion? - The resurrection? - The burning of Joan of Arc? - The assassination of Marat? - The gas attack at Ypres? - The sinking of the Titanic? - Stalingrad? - Auschwitz? - Hiroshima? - The assassination of Kennedy? - The massacre at My Lai? - The suicide of the RAF? - Chernobyl? - The crash of the Challenger? - The mass graves in Bosnia-Herzegovina? - The earthquake in Gujarat? - 11.09?

When art nothing more to do with themselves knowing they invented life. Art is life, because life is an art. And nothing is more elaborate than death. We are born in our absence, but death is everywhere and always there. As heavy clouds lift light towers. As they fall, concrete cathedrals of the assembled economic activity, falling endlessly in finite media endlessly repeat loops, always fall. Like trying to grasp what is hard to categorize. No one will fall deeper say the holy warriors, as in God's arms. Yes, it is 11.09. The most perfect work of art ever. You may have heard recently. Kiefer has said. Stockhausen had already said earlier. Celan and it has not said before, unforgettable, with this memorable deep, haunting voice

Death is a master from Germany

Hamburg. City of the Hanseatic League, the serial killer Honda and the Al-Quds mosque where students met the German master of suicidal world heritage . City of difference between the time of planning and the date of execution, between the living and the dead, between those who have completed their presence already, and those to whom the present is closed to all their hopes on more contemporary . Between Hamburg, Town of masterful smile and the masterly reply, and New York City, the painful bewilderment and the painful questions. Many questions, too many questions, and only one death. The death in New York 11.09. This is the answer, the only answer at all, because there is only one death, just this one death and no other. Mort de ma vie, we are now at the point where, every doubt as to the size and power of the completed form to disappear definitively and finally. perfect. Traumatic perfect. But absolutely perfect.

11:09 .


all had that day in New York can achieve. Perhaps even the absence of death. Or at least the thought of it. In those same towers that rise into the sky. But that did not allow the art master from Germany. It would probably not have been perfect enough.

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Grand National Exhibition "World Views"

outside the box!
09/17/2011 to 01/08/2012 in the Art Building on Palace Square, Linden-Museum Stuttgart.


(Press release Lindenmus eum) Occasions Lich of the 10th 0-year anniversary of the exhibition brings to more than 2000m ² and with more than 400 objects for the first time all seven regional divisions of the museum in a show, opening in cross-cultural productions sight of the fascinating diversity of our world.

How to marry in Asia? What we laugh in Africa? What afterlife had been in Peru? What is aesthetics? How do the political leaders? In his great
Anniversary exhibition is the Linden-Museum with the numerous and amazing opportunities for people to see the world, interpret and order. Sharp objects v on world-renowned explain human thought and action and awareness of cultural differences and uniting in common that we encounter in an increasingly globalized world.

Current questioner changes to make this historic objects from one of the most important ethnographic collections in Europe. Newly acquired exhibits show the rapid cultural change and the same time show the continuity of lived traditions. Visitors will in atmospheric settings embedded art works that put him through a supposedly foreign aesthetics in amazement.

The Ethnology here acts as a translator of other ways of life: it does the seemingly everyday, no less artful objects, such as clothing, jewelry, masks, ritual and everyday objects to speak, and focuses attention on the colorful beauty and inspiring achievements of other cultures. The exhibition opens to the rich store of knowledge of traditional cultures, past and present and takes the visitor impressive on a world tour.

photos from top to bottom:
death mask, Peru, around 800 Photo: A. Dreyer, Linden-Museum Stuttgart
Katsina "Powak'china, Hopi, North America, 20 Century. Photo A. Dreyer, Linden-Museum Stuttgart
eagle mask, Vancouver, Iceland, 19 Century. Photo: A. Dreyer, Linden-Museum Stuttgart

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India Tibet - Tibetan India

The cultural legacy of the western Himalaya
23/10/2010 to 1.5. 2011 Linden-Museum Stuttgart

(Press release Lindenmuseum) Worldwide first is the western Himalayas, a melting pot of cultures, in this co-operation of the Linden-Museum Stuttgart, the Historical and Ethnographic Museum, St. Gallen and the Ethnological Museum Herrnhut in focus an exhibition.

The Western Himalaya is one of the impressive high mountain regions of the world, vast deserts interspersed with dense forest and 7,000 meters high snow peaks. The region is a melting pot of cultures that have preserved due to the remoteness of their unique originality for millennia. On major trade routes philosophical ideas, religious and artistic styles were disseminated. Hinduism and Buddhism intermingle here with age-old belief in spirits and the worship of fertility goddesses. The Western Himalaya is one of the last refuges of Tibetan Buddhism, is preserved in the monasteries in Tibet nearly destroyed cultural heritage yet.

Politically, the region is now among the Indian states Himachal Pradesh, Jammu and Kashmir, but already one of the first European who visited the area, August Hermann Francke, spoke of "India's Tibet" to highlight the influence of India in the early Tibetan Buddhism in the western Himalayas. Tibetan scholars went to India to be introduced to the teachings of Indian Buddhism, Indian Sanskrit texts were translated into Tibetan before in India itself - due to the Muslim invaders - were lost. From this network developed some of the most beautiful styles of Buddhist art, created by Indian artists, the Tibetan monasteries of the West Himalaya embellished. Nowadays it is natural designate the region as "Tibet's India," but it provides refuge for thousands of Tibetan refugees and their living religious tradition.

The exhibition focuses on three research trips, their stations are run in the exhibition. In 1909, went the German archaeologist August Hermann Francke on a 2000 km long, at that time very dangerous expedition through the western Himalayas. For the first time in history, he stopped and his photographer, Babu Lal Pindi the bizarre landscape and the fascinating culture of this region in word and image. The Austrian mountaineer Heinrich Harrer (Seven Years in Tibet ") durchwanderte1944 adventurous in his flight Tibet after the region and visited again in the 1970s, the Ladakh and Zanskar regions in order to document the Tibetan culture.
Due to political circumstances was the Western Himalayas to the access stranger long time denied. Only at the end of the 20th Century the area became a limited number of travelers re-opened in parts. This has taken the Frankfurt author and photographer Peter van Ham as an opportunity to follow in several over the last twenty years distributed expeditions in the footsteps Francke and Harrer in the mountain deserts of Kinnaur, Spiti, Lahaul, Rupshu, Nubra, Zanskar and Ladakh.

The exhibition takes the visitor in the footsteps of explorers in an "external" or "physical" journey from Shimla by the regions of Kinnaur, Spiti, and Ladakh Rupshu / Zanskar. At the same time there is an "inner" or "spiritual" journey to religious art of Hinduism, Buddhism and animism. The highlight and finale of the exhibition is a walk-Mandala, which is modeled on an interior of the monastery of Tabo in Spiti, and the monastic life of the western Himalaya experience makes.

be Presented textiles and jewelry, bronze sculptures of Hindu and Buddhist ritual objects, thangka paintings, dance masks. Large-scale historical and contemporary images, and multimedia installations immerse visitors into a fascinating region.

Photo: Walk-mandala. Edwin Wall

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Slavic Treasures of the Middle Ages

special exhibition at the Museum of the Imperial Palace

12.02. until 05/08/2011. titled "Treasures of the Middle Ages - Jewellery from the National Archaeological Museum in Warsaw" presented in the museum of the Imperial Palace in Paderborn 440 Slavic jewelry from the 10th To 13 Century. The finds from cemeteries, ramparts or hoarding - spread over the day Poland, Belarus and Ukraine. Often enough, however, the sites or the circumstances under which the treasures into the soil arrived, unknown.

With the 10th To 13 Century, the exhibition organizers have selected a period that represents not only the glory days of the Slavic jewelry making, but also the Polish Piast dynasty and the empire of Kievan Rus. Among other things, reported the Frankish monk Gallus Anonymus at the beginning of the 12th century was found on the fabulous wealth of the Slav in the courts for review.
"jewel", he explained Fiber Cultural Affairs Dr. Barbara Rüschoff the valley at the press preview was created, "in human culture has always been an important place - from an aesthetic, social and symbolic Importance to the simple utilitarian function. "And Jewellery social position of its owner such as age u nd reflects marital status or religious beliefs, promises to issue an insight into the medieval Slavic society.

to implement this right should the mere presentation of medieval gems are not enough of course. So one of the accompanying program of events including lectures and workshops and, of course look forward to the exhibition catalog, created in cooperation with the Warsaw Museum and the National Museum of Brandenburg. The visitor at any rate experiences, especially about the "construction" typical Slavic jewelry, their distribution and structural way. For example, since golden temple rings, silver earrings from the Kiev type or in the oriental style silver beads, ornate rings or neck chains and bracelets be issued. "The beautiful earrings, bracelets and necklaces made of silver, bronze and gold, glass, semiprecious stones and amber. They represent jewelry styles of the western and eastern Slavs. This demonstrates the s lawische culture of the Middle Ages in all their glory and wealth ", say the curators at the Museum Homepage .

photos from top to bottom:

earring from the Kiev type
silver bead type Volyn.
Prunkvoler neck ring made of silver wire bracelet
of wide sheet metal strips which are connected by a hinge.

Photos: Fiber / Soful

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At the Beuys blackboard: I'm cheeky enough and trust me

Every thing is art if it the Ding said.

first child of Analkultur, with a more or less disturbed relationship with their own shit. Also to his maternal grandmother, the existing family of proof that a man be born only needs to be a Creative. Dad would have liked to be kicked. Neighborhood kids, soccer shoes, ran outside. Inside, colored pencils and paper out of the closet, e in green squiggle here, a yellow squiggle there . Dad has never been in the path. Only mom asked me, whether it is right. Well, because he wants to be sure, so it is. And a ls intact apple is not so easy from the tree, but holds on to his style. If he is so far the first time to ram a screwdriver in the door buzzer to drown the phone and delete the e-mail address. Therefore, it has mom always said, always, and always slow with such a clear voice, "You are what you are. She said it in the language of good quality cultural magazine. And he said it f Bühler good, really good at.

D ann he ran from home away and documented his machinations as a mature creative person.

Always with a cross-eyed look at the one thing that the creative is really the next. How was it done, what's done. The hair, for example, a single brush stroke, speed, rest, construction and spontaneity exactly balanced. Awesome. But as he is the one to admit, of course not, otherwise he would immediately drop everything and say, "Why after Velazquez still make a picture? Why should we ever make a picture, God knows there are enough creative stuff everywhere. Most of the scrap, much too, and if it comes up, maybe a bear. But then stolen. Involved in the paranormal Beuyskomplex. Creative acquisitive crime for the championship, also subsidized construction of an academic artist subjectivity by the state. would this normally on behalf of the aesthetically more reactive minorities are punished unless the Multi vanguard of this post-modern post-disaster, with some tasteless donors should ultimately come from to see the absence of talent to stable employment.

"The real artist in the Armory Show was the person who produced the urinal - you meant the

?

"Yes, but the urinal is not the product of one man. Thousands have been working: those who designed the china clay, those who transport them to Europe on ships ... This is so clear, but was pulled by Duchamp never considered. could be stolen - He has taken something somewhere almost say - and has thrown it into the bottom of the decadent cultural trends that make now that their fraud "

( Perhaps that still comes a time in which we might again fall in love with the art.)

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special exhibition at the LVR-RömerMuseum

dangerous place - crime in the Roman Empire
8th July 2011 to 12 February 2012

On a dangerous place to go to the visitors of the LVR-Roman museum in the Archaeological Park Xanten in July. Robberies and burglaries, murder and manslaughter, theft and fraud of all kinds are the focus of a special exhibition on crime in the Roman Empire. From the mouth of prey to organized economic crime, people had to fight in Roman times with a wide range of crimes. Fraudsters, thieves and murderers have left various traces of their crimes. Numerous archaeological finds and ancient text sources lead us today on their trail. But how protected the Roman justice, the population in the cities and the countryside? In a society that had no police, people were often on their own. Whether with lock and key, guard dog or magical means - you did well, to always be on guard.
A comprehensive interactive program and an accompanying complement the exhibition. (Presseinfirmation: LVR-Roman Museum in the Archaeological Park Xanten )

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Romans Saalburg in sign of Mithras

The annual program 2011 in the Roman Saalburg

found particularly in the limit of territory according to a press release of the Roman town hall castle of the secret cult of the god Mithras its exclusively male followers. And so, among numerous themed activity days and weekends, the gods and the cult of Mithras at the center of the annual program 2011th From 2011 to
August 6 to 22 January 2012 shows, for example the issue . Mysterium Mithras - an ancient secret cult in the Mirror of Archaeology and Art "mainly archaeological Show metaphors in contrast to works of the Frankfurt-based artist Farangis G. Yegane Ergäntz The exhibition is to provide additional information to the Roman state religion, more mystery cults special exhibition tours, and other support programs, with dates time on the homepage of the Hall Castle Museum be announced.

series of lectures on Gods Worlds on the Limes

Already on 20 March begins the lecture series "Gods Worlds on the Limes." Dr. Carsten Amrhein, Römerksatell Saalburg will talk about "Jupiter, Mercury and Fortuna: Roman gods and cults at the limit. "on April 10 following the lecture by Prof. Dr. Bernhard Maier, New York:" Taranis and Donar: Celtic and Germanic gods at the limit: "On 30 October, finally, the topic of" unspeakable secret prohibited. Oriental deities and mystery cults at the limit "by Dr. Andreas Hensen, Heidelberg, on the program

witness of Mithraism

In connection with the tour of the reconstructed and newly Mithrasheiligtum renovated exterior of the fort, at the 18 . September did a "Father", the head of a Mithrasgemeinde as "eyewitness" of Mithraism 2000 years ago, the questions of the visitors meet. On July 17 visitors to the Roman legionary Attius Tertius and 5 June receives his partner Sculpia Procula the guests to give them an insight into the lives of women in the village castle.

theme days and the limit hikes

be And of course, in 2011, the best guided tours, Limes walks and events cuisine such as "bake bread like in Roman times" or "Roman evenings for wine lovers, connoisseurs and thirsty for knowledge" is offered.

culture in the fort

The culture in the fort could finally XXVII. Jazz Festival, the concert-room castle with the National Youth Symphony Orchestra or call the reading from "A Struggle for Rome" as part of Homburger poetry & literature festival .
The overall program can be downloaded from the website of the Hall Castle Museum .

Photo: Main entrance of the Roman town hall castle. Source: commons.wikimedia.org / wiki / File:. Saalburg_Main_Gate_ (Porta_Praetoria) jpg